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Design and Photo Credits

The original site was designed by Mikko Hyppönen and deployed by Henrik Rydberg. It was later upgraded extensively by Dan Balis. The current layout was designed by S. Abbas Raza, building upon the earlier look, and coded by Dumky de Wilde.

The banner images have been provided by Terri Amig, Carla Goller, Tom Hilde, Georg Hofer, Sheherbano Husain, Margit Oberrauch, S. Abbas Raza, Sughra Raza, Margaret Scurlock, Shahzia Sikander, Maria Stockner, and Hartwig Thaler.

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Friday, June 29, 2012


Friday Poem

Gary Snyder Starts Singing

When you suddenly started singing in the middle of your poetry reading
we were caught off guard.
It was as though, when we had crossed the Brooklyn Bridge and turned left,
suddenly we had seen the pampas spread out before us,
when actually we should have seen Wall Street.

The domestic poultry that are supposedly unable to fly in our country,
in the garden of your stanzas, begin ably flying about.
They sail across the planet’s sky in V-formation like wild geese,
as if to say, “We are completely fed up with strolling around
on the Gutenberg runway. From now on we are going to be free,
so please look after yourselves in future.”

When you sang, you yourself became a song.
With your feet rooted in the earth,
your body began to float off into air.
We, left behind, recalled the familiar old maxim,
‘A miracle is reality laid bare.’

But as you sing, you are whispering:
“My tongue which has been up to a lot of vulgar things
is also capable of such elegant things”.
.

by Inuo Taguchi
publisher: Poetry International, 2006
translation: William I. Elliott and Kazuo Kawamura

Posted by Jim Culleny at 06:24 AM | Permalink | Comments (6)


Thursday, June 28, 2012


Research shows that everyone cheats

Dan Ariely in the Wall Street Journal:

ScreenHunter_05 Jun. 28 13.55We tend to think that people are either honest or dishonest. In the age of Bernie Madoff and Mark McGwire, James Frey and John Edwards, we like to believe that most people are virtuous, but a few bad apples spoil the bunch. If this were true, society might easily remedy its problems with cheating and dishonesty. Human-resources departments could screen for cheaters when hiring. Dishonest financial advisers or building contractors could be flagged quickly and shunned. Cheaters in sports and other arenas would be easy to spot before they rose to the tops of their professions.

But that is not how dishonesty works. Over the past decade or so, my colleagues and I have taken a close look at why people cheat, using a variety of experiments and looking at a panoply of unique data sets—from insurance claims to employment histories to the treatment records of doctors and dentists. What we have found, in a nutshell: Everybody has the capacity to be dishonest, and almost everybody cheats—just by a little. Except for a few outliers at the top and bottom, the behavior of almost everyone is driven by two opposing motivations. On the one hand, we want to benefit from cheating and get as much money and glory as possible; on the other hand, we want to view ourselves as honest, honorable people. Sadly, it is this kind of small-scale mass cheating, not the high-profile cases, that is most corrosive to society.

More here.

Posted by S. Abbas Raza at 07:55 AM | Permalink | Comments (2)

Nico Muhly’s many opinions on polygamists, opera and idiocy

David Patrick Stearns in Arts Journal:

Nico_muhly1-300x200The brash young composer Nico Muhly – much to the surprise of many but probably not to himself – turned out to be right.

When his opera Dark Sisters was premiered in New York City in November, many believed the ever prolific Muhly (yes, even more prolific than his longtime employer Philip Glass) had rushed through the composition of a chamber opera about Church of Latter-Day Saints splinter groups that practice polygamy in remote outposts of the southwestern United States. The disappointment extended beyond the critics and operagoers hearing it for the first time on opening night. There was much grumbling within the industry that problems that were clearly apparent in the workshop preceding the premiere but hadn’t been addressed at all. Some of his fellow composers were secretly scathing.

Oh well. There was always the revival the following June at Philadelphia’s Kimmel Center, where the smallish, congenial Perelman Theater has come to be seen as one of the ideal chamber opera venues in the Northeast. Even then, Muhly, librettist Stephen Karam and director Rebecca Taischman declined to have another workshop. They were all busy and sensed that changes could be made in the few weeks of rehearsal prior to the Opera Company of Philadelphia opening.

And yet … Dark Sisters wasn’t just a hit with critics who were lukewarm first time around. The opera was a considerable popular success with audiences. Word of mouth was uniformly positive. Here was something fresh, challenging and new that wasn’t beyond the grasp of an average operagoer hearing it for the first time. And in Philadelphia – a place known to fear the cutting edge.

What changed?

More here.

Posted by S. Abbas Raza at 07:43 AM | Permalink | Comments (0)

Cog and Turbine

3QD friend Najib Khan wrote and performed the theme song for this fun little animated short. If you can spare a couple of bucks to help them finish the film, please click here.

Posted by S. Abbas Raza at 07:02 AM | Permalink | Comments (1)

the end of the euro

252px-Common_face_of_one_euro_coin
Most of the current policy discussion concerning the euro area is about austerity. Some people – particularly in German government circles – are pushing for tighter fiscal policies in troubled countries (i.e., higher taxes and lower government spending). Others – including in the new French government — are more inclined to push for a more expansive fiscal policy where possible and to resist fiscal contraction elsewhere. The recently concluded G20 summit is being interpreted as shifting the balance away from the “austerity now” group, at least to some extent. But both sides of this debate are missing the important issue. As a result, the euro area continues its slide towards deeper crisis and likely eventual disruptive break-up. The underlying problem in the euro area is the exchange rate system itself – the fact that these European countries locked themselves into an initial exchange rate, i.e., the relative price of their currencies, and promised to never change that exchange rate. This amounted to a very big bet that their economies would converge in productivity – that the Greeks (and others in what we now call the “periphery”) would in effect become more like the Germans.
more from Simon Johnson at The Baseline Scenario here.

Posted by Morgan Meis at 06:59 AM | Permalink | Comments (0)

The Night Wanderers

Kony-2012
Joseph Kony could never have imagined it. Once an obscure warlord traipsing through the central African bush, he has been catapulted onto the leaderboard of global villains. Schoolchildren have been riveted by an internet video of his atrocities released by Invisible Children, a group of American activists. Their film has garnered more than 89 million hits on YouTube since March. Some viewers rallied behind their Kony2012 campaign to call for the Ugandan rebel's arrest by the year's end. Overnight, Kony has become the world's favourite bogeyman. It is fortuitous then that the English translation of The Night Wanderers by Wojciech Jagielski, a veteran Polish journalist, has arrived at just the moment when ever larger numbers of people are curious to learn more about Kony, his child soldiers, and the conflict they spawned.
more from Matthew Green at Literary Review here.

Posted by Morgan Meis at 06:57 AM | Permalink | Comments (0)

joyce's detritus of reality

120702_r22329_p233
On a day in May, 1922, in Paris, a medical student named Pierre Mérigot de Treigny was asked by his teacher, Dr. Victor Morax, a well-known ophthalmologist, to attend to a patient who had telephoned complaining about pain from iritis, an inflammation of the eye. The student went to the patient’s apartment, in a residential hotel on the Rue de l’Université. Inside, he found a scene of disarray. Clothes were hanging everywhere; toilet articles were scattered around on chairs and the mantelpiece. A man wearing dark glasses and wrapped in a blanket was squatting in front of a pan that contained the remains of a chicken. A woman was sitting across from him. There was a half-empty bottle of wine next to them on the floor. The man was James Joyce. A few months before, on February 2nd, he had published what some people regarded then, and many people regard now, as the greatest work of prose fiction ever written in the English language. The woman was Nora Barnacle. She and Joyce were unmarried, and had two teen-age children, Giorgio and Lucia, who were living with them in the two-room apartment.
more from Louis Menand at The New Yorker here.

Posted by Morgan Meis at 06:55 AM | Permalink | Comments (1)

Charisma: who has it, and how to get it

From The Telegraph:

Charisma-feature-1_2254167bUntil I encountered Olivia Fox Cabane, whom US executives at firms like Google, Deloitte and Citigroup pay up to $100,000 a year to help boost their X-factor, I’d have naively believed charisma was an intangible, magical aura. The word comes from the Greek “gift”, befitting the notion that allure is something you’re born with, and can’t earn. It’s the “It” that differentiated Baroness Thatcher from John Major, George W Bush from John Kerry, Lady Gaga at the O2 from her hundreds of imitators performing to tiny audiences in bar back rooms. But, as Fox Cabane points out in her new book The Charisma Myth: How Anyone Can Master the Art and Science of Personal Magnetism, it was also the difference between Marilyn Monroe and her alter-ego Norma Jean Baker. In 1955, the film star rode the New York subway, unnoticed by her fellow passengers because, she explained, she had chosen to adopt “Baker” mode. But when she emerged onto the city pavements, she asked an accompanying journalist: “Do you want to see her?” She fluffed her hair, struck a pose.

Suddenly, onlookers reported, magic seemed to flow from her. “That shows that charisma isn’t innate, it can be controlled at will,” Fox Cabane says.

More here.

Posted by Azra Raza at 06:53 AM | Permalink | Comments (1)

The Snarky Voice in Your Head

Via Alan Henry at Lifehacker:

X-rayThere's a difference between being occasionally sarcastic and a little derisive in your head, but when negativity becomes your default reaction, you have a problem. You may have had a wake-up moment, much like Anna Holmes, founding editor of Jezebel, had when she realized she was sneering at someone for no reason other than that the person was happy. Here's what she said:

Just rolled my eyes at a woman skipping happily across 42nd Street. Then I realized I'M the asshole.

— Anna Holmes (@AnnaHolmes) May 31, 2012

How about a quick check. Do you:

  • Roll your eyes at every "hipster" who, by most accounts, is just a person trying (successfully or not) to dress fashionably?
  • Primarily complain about how horrible people/things are on Facebook/Twitter?
  • Get angrier every passing moment that you stand in line at the grocery store, or have to wait for your check to arrive at a restaurant?
  • Find you're constantly frustrated with coworkers who don't "get it?"
  • Comment angrily on blogs, videos, and other web sites (usually beginning with "ummm" and ending with "just saying?")
  • Feel like it's okay to be a complete jerk, as long as you're "witty" about it?

Sounding familiar? You may have a problem.

Posted by Zujaja Tauqeer at 06:48 AM | Permalink | Comments (4)

Jonah Lehrer Just Does Not Know How To Do Journalism

To be read alongside this previous post and the additional links below it, more opinions on Jonah Lehrer from Gawker:

JonahLehrerYesterday we found out that Jonah Lehrer, the Gladwellesque whiz kid who's The New Yorker's newest staff writer, reused his own old writings for every goddamn blog post he's written for The New Yorker so far. A self-plagiarist, he is. Big time. What's the latest? He is an even bigger time plagiarist (self, and otherwise!) than we knew yesterday. And for it, he should probably be eased out of journalism's highest echelon.

The news yesterday set off a predictable wave of digging into Lehrer's past work, revealing that his penchant for reusing old material without disclosure was not limited to a few blog posts. Edward Champion found "twelve pages of lifted passages" in just the first 100 pages of Lehrer's recent book Imagine: How Creativity Works. Lehrer's January New Yorker article on brainstorming now has an editor's note disclosing that Lehrer took Noam Chomsky quotes from a story (not written by him) in Technology Review and inserted them into his story, making it appear as if he had spoken to Chomsky himself.

More here.

Posted by Henry Molofsky at 06:44 AM | Permalink | Comments (4)

20 Things You Didn't Know About... Allergies

From Discover Magazine:

PeanutsCuring them by giving yourself hookworms, preventing them by putting RFID tags in your food, and avoiding them in Knoxville, the Allergy Capital of the country.

1  Our immune system may be like those small bands of Japanese “holdout” soldiers after World War II. Not knowing that the war was over, they hid for years, launching guerrilla attacks on peaceful 
villages.

2  With our living environment well scrubbed of germs, our body’s immune “soldiers” mistakenly fire on innocent peanuts and cat dander.

3  According to the National Institutes of Health, more than half of all Americans have one or more allergies.

4  The scariest allergy: penicillin, one of the most common causes of fatal anaphylaxis. The most disgusting allergy: cockroaches.

5  Most food allergies result from an immune response to a protein. In 2004 a team at Trinity College Dublin tried to counter that reaction by injecting mice with parasites, giving the animals’ immune systems the sort of threat they evolved to fight, thus distracting them from the food proteins.

6  The experiment worked.

More here.

Posted by Azra Raza at 06:40 AM | Permalink | Comments (0)

Comment Policy

This is not a real comment policy but one written up for amusement by Sean Carroll of Cosmic Variance in a moment of frustration with the rude behavior of a few commenters there. It does express the point of view of blog hosts rather well at times, though:

Blog-commentsThe best way to think about blog commenting has been formulated by Eugene Volokh: comment threads as cocktail parties. A good comment section is a cacophony of views, a bringing-together of different voices in the best possible way. But it is not a random collection of passers-by gathered in a public space to shout at each other. It’s a hosted space, with the bloggers as proprietors. This implies a minor form of social contract: the bloggers provide a common space for commenters to meet and converse, while commenters are expected to contribute positively and politely to the experience.

One goal of a good cocktail party is that you meet people you haven’t met before, and perhaps share an interesting conversation. But the guest list, and some broad expectations for personal behavior, are set the by organizers. Party crashers who are obnoxious, or disruptive, or even just deadly boring, may be asked to leave the party. Nobody has a right to attend whatever parties they like.

Consider, in terms of this analogy, the temptation to complain out loud about what the bloggers are choosing to blog about. That would be like showing up at a party, noticing that the only appetizers being passed around are spring rolls and bacon-wrapped dates, and proceeding to raise a ruckus about the absence of cocktail weenies.

No, come to think of it, it’s not like that. It’s like showing up at a party, noticing that spring rolls and bacon-wrapped dates are being passed around in addition to your beloved cocktail weenies, and loudly proclaiming how offended you are at the presence of such outré finger food at this event. You shouldn’t complain about the host’s taste in appetizers; if there’s nothing there you like, go to another party. And if there is, ignore the offerings you don’t like, and enjoy yourself some weenies. Delicious, delicious weenies.

More here.  [See the post before this one for an example of demanding "cocktail weenies".]

Posted by S. Abbas Raza at 06:35 AM | Permalink | Comments (3)


Wednesday, June 27, 2012


RIP Nora Ephron, 1941 - 2012

ImagesHere is a parody of Stieg Larsson's The Girl With the Dragon Tatoo that she wrote in The New Yorker a couple of years ago:

The Girl Who Fixed The Umlaut

Salander opened the door a crack and spent several paragraphs trying to decide whether to let Blomkvist in. Many italic thoughts flew through her mind. Go away. Perhaps. So what. Etc.

“Please,” he said. “I must see you. The umlaut on my computer isn’t working.”

He was cradling an iBook in his arms. She looked at him. He looked at her. She looked at him. He looked at her. And then she did what she usually did when she had run out of italic thoughts: she shook her head.

“I can’t really go on without an umlaut,” he said. “We’re in Sweden.”

But where in Sweden were they? There was no way to know, especially if you’d never been to Sweden. A few chapters ago, for example, an unscrupulous agent from Swedish Intelligence had tailed Blomkvist by taking Stora Essingen and Gröndal into Södermalm, and then driving down Hornsgatan and across Bellmansgatan via Brännkyrkagatan, with a final left onto Tavastgatan. Who cared, but there it was, in black-and-white, taking up space. And now Blomkvist was standing in her doorway.

More here.

Posted by S. Abbas Raza at 12:27 PM | Permalink | Comments (2)

Addicts, Mythmakers, And Philosophers: Plato's/Socrates' Understanding of Habitually Bad Behavior

Alan Brody in Philosophy Now:

GreekWinThad held up his right hand and asked “See this?” He showed me gnarled and maimed fingers. Thad told me that while he was flying his plane into Turkey, the Turkish air force forced him to land, having gotten wind that he was running drugs. They jailed him, and in an attempt to extract a confession, his jailers broke his fingers. He didn’t confess.

Thad bribed his way out of jail. Eventually he came to the drug treatment center where I was working, to get help with his drinking problem. (Thad and other patient names are pseudonyms.) After discussing addiction as involving compulsive behavior, we concluded that Thad was suffering from alcoholism. Knowing he would be better off not drinking, Thad committed himself to abstinence. He told me that he didn’t need to go to Alcoholics Anonymous for support, explaining that if he could resist caving in from torture he could certainly resist whatever discomfort he would experience from not drinking. Thad thought that being able to follow through with his resolve was simply a matter of having the ability to resist succumbing to how bad it would feel to not drink.

When Thad came in for his next appointment he looked pained, shocked and confused. He told me that in spite of his decision to remain abstinent, he drank. It happened at the airport while he was waiting for his friend to arrive. Thad couldn’t understand how he would do such a thing, given his ability to handle pain when sticking to a resolution. I explained how a compulsive condition such as alcoholism can change how one evaluates what to do, so that someone who previously decided not to drink can come to temporarily think it’s okay to do so. After I explained how this kind of change of thought could produce a motive for drinking, Thad saw how his ability to endure suffering couldn’t be counted on to guarantee abstinence.

More here.

Posted by Henry Molofsky at 11:17 AM | Permalink | Comments (0)

Vanishing Languages

From Russ Rymer at National Geographic:

Vanishing LanguagesIn an increasingly globalized, connected, homogenized age, languages spoken in remote places are no longer protected by national borders or natural boundaries from the languages that dominate world communication and commerce. The reach of Mandarin and English and Russian and Hindi and Spanish and Arabic extends seemingly to every hamlet, where they compete with Tuvan and Yanomami and Altaic in a house-to-house battle. Parents in tribal villages often encourage their children to move away from the insular language of their forebears and toward languages that will permit greater education and success.

Who can blame them? The arrival of television, with its glamorized global materialism, its luxury-consumption proselytizing, is even more irresistible. Prosperity, it seems, speaks English. One linguist, attempting to define what a language is, famously (and humorously) said that a language is a dialect with an army. He failed to note that some armies are better equipped than others. Today any language with a television station and a currency is in a position to obliterate those without, and so residents of Tuva must speak Russian and Chinese if they hope to engage with the surrounding world. The incursion of dominant Russian into Tuva is evident in the speaking competencies of the generation of Tuvans who grew up in the mid-20th century, when it was the fashion to speak, read, and write in Russian and not their native tongue.

Posted by Zujaja Tauqeer at 08:37 AM | Permalink | Comments (0)

art's future

A_560x375
Documenta’s American-born artistic director, Carolyn Christov-Bakargiev, doesn’t even use the word “artist,” preferring “participant” instead. She says, “I am not sure that the field of art will continue to exist in the 21st century” — not meaning art itself, mind you, but our tidy roping-off of the field. To Joseph Beuys’s famous dictum “Everyone is an artist,” Christov-Bakargiev adds, “So is any thing.” The best parts of Documenta 13 bring us into close contact with this illusive entity of Post Art—things that aren’t artworks so much as they are about the drive to make things that, like art, embed imagination in material and grasp that creativity is a cosmic force. It’s an idea I love. (As I’ve written before, everything that’s made, if you look at it in certain ways, already is or can be art.) Things that couldn’t be fitted into old categories embody powerfully creative forms, capable of carrying meaning and making change. Post Art doesn’t see art as medicine, relief, or religion; Post Art doesn’t even see art as separate from living. A chemist or a general may be making Post Art every day at the office. One of the exhibitors at Documenta is the civil engineer Konrad Zuse, creator in the thirties of an early electromagnetic computer.
more from Jerry Saltz at New York Magazine here.

Posted by Morgan Meis at 07:55 AM | Permalink | Comments (1)

Big Baby behavior

Image
Big Baby behavior has coalesced with the new rhetorical style of the right — whining, entitlement, and victimization, a bad-faith aping of how the old regime understood the demands of anti-racism and the women’s movement — to give a mashed-carrots color to the politics of our era. Tantrums are in fashion. Are you ever at a loss now, flipping through the channels, to know what policies a TV commentator will advocate if he is boyish but old, thin-haired but incapable of growing a mustache, soft, truculent, khakied and floppy-collared, wide-eyed on a sugar rush and shouting for more candy? (In his case, the Pez will be prescription drugs and alcohol: there is a curious tie between Big Babies and abuse of painkillers.) Big Baby is easier to picture sitting than standing. Man-boobs shape his polo. Big Baby has wee little feet and appears on the cover of Cigar Aficionado. Big Baby issues insults, but only at a safe distance. You sense that, up close, he might smell like milk.
more from the Editors at n+1 here.

Posted by Morgan Meis at 07:53 AM | Permalink | Comments (4)

Justin Erik Halldór Smith On Dieting

Justin E. H. Smith in his own blog:

ScreenHunter_04 Jun. 27 12.59It may be that an older form of wisdom speaks to us through proverbs, the sort of wisdom that reeks of grandparents and people even older, that announces 'you are what you eat' as an existential truism, for example. But this sort of wisdom is for the most part drowned out by chatter, about good carbs as opposed to bad ones, about the exalted ideal ratio between carbs, proteins, and fats, about whether food should be free of some negative element or other, whether it should be raw or cooked, whether it is fitting that animals be slaughtered to produce it. And all of this chatter takes place in the mode of facticity: it is put forth as if it were entirely science, and had nothing to do with culture. The striving upper middle class thus avoids McDonald's not because it is where poor fat people go, but rather because the food served there is 'unhealthy', a term that can only conceal its normativity under a thick coat of false consciousness. And thus urban subcultures emerge that condemn gluten, or that advocate a diet based principally upon meat à la Tartare, as if there were no logic of social distinction at work, as if it were simply the case that their way of eating is the correct way, the natural way, the way cavemen ate, the way we ate before we were corrupted by the Agricultural Revolution, by modernity, by supermarkets, or some other hypothetical loss of innocence.

There is no more awareness in either the bourgeois or the Bohemian expressions of this chatter than there is in traditional folk cultures, with their highly prescriptive conceptions of how one ought to eat, that 'the natural' is a contested category, that in nutritional matters as in everything else, grand gestures and elaborate programs that spell out how to live in accordance with nature are at least as artificial as everything else we come up with. Whole Foods occupies a different cultural space than the McDonald's a few blocks away; both are however equidistant from Nature.

More here.

Posted by S. Abbas Raza at 07:00 AM | Permalink | Comments (3)

Thomas Friedman Writes His Only Column Again

Hamilton Nolan at Gawker:

ScreenHunter_02 Jun. 27 12.44Fabulously wealthy CEO whisperer and newspaper columnist Thomas Friedman is little more than a human-shaped random word generator programmed with the "Computers and Internet" section of a fourth-grade vocabulary textbook and fitted with a mustache. He writes one single column, sometimes using different proper nouns or cycling through slightly new platitudes, in order to allow a new headline to be written. The Only Thomas Friedman Column That Exists—which ran right on schedule yesterday—opens like this:

TRAVELING in Europe last week, it seemed as if every other conversation ended with some form of this question: Why does it feel like so few leaders are capable of inspiring their people to meet the challenges of our day?

Whether traveling in Europe or Israel or Pakistan or The Arab Street, Thomas Friedman has astoundingly boring conversations with people who speak in vague, nonsensical phrases. He continues:

There are many explanations for this global leadership deficit, but I'd focus on two: one generational, one technological.

"There are many explanations for [broad phenomenon], but I'd focus on two: one [generational, cultural, or sociological], one [technological, biological, scientific, or economic]." Thomas Friedman knows how to write a freshman-year research paper at the last minute.

More hilarity here.

Posted by S. Abbas Raza at 06:44 AM | Permalink | Comments (7)

Wednesday Poem

10. Keep Your Mind From Wandering

Keep your mind from its wandering
and regain first oneness.
Is it possible?

Let your body become supple
as a newborn’s. Is it possible?

Cleanse your inner vision
till you see nothing but light.
Is it possible?

Love people and lead
without forcing your will.
Can you?

Deal with vital matters
without interfering.
Can it be done?

Can you stand clear
of your own mind and so
make sense of things?

Give birth and nourish.
Have but not possess.
Act but don’t expect.
Lead but don’t control.
Accomplish this and even your virtue
will have virtue.


by Lao Tzu
from Adadptations of the Tao te Ching
by R. Bob

Posted by Jim Culleny at 06:33 AM | Permalink | Comments (1)

Can People Levitate?

Posted by S. Abbas Raza at 06:28 AM | Permalink | Comments (1)

Five in the Colonies: Enid Blyton’s Sri Lankan Adventures

From The Paris Review:

Famousfive460Most mornings this past winter—the Boyagoda household already running late—I discovered my oldest daughter reading at the kitchen table: one boot on, gloves, hat, knapsack, and other boot nowhere to be found. So immersed was she, so indifferent to my pleas and threats, that finally I had to pull the book from her grasping hands just to make her finish dressing for the cold walk to school. This experience has made me more sympathetic to my mother, who once spanked me in a grocery store because I wouldn’t stop reading a book. It was by Enid Blyton, the British children’s writer who wrote some 400 nursery, fantasy, and adventure series titles that have sold more than six hundred million copies worldwide, mostly in Britain and the former colonies, including Sri Lanka—where as a girl my mother herself first encountered Blyton. I recently bought one of Blyton’s books for my own daughter. But before passing it on, I decided to reread it.

The book seemed innocuous enough. As with all of Blyton’s adventure stories, it was about boys and girls drawn into mysterious doings while on summer holiday. Bickering but loyal, they best adults who are either distracted and dismissive, or criminals capable of outsmarting everybody but the kids. Working this premise for decades and dozens of stories, Blyton enjoyed great success—at the time of her death, a book club devoted to her work had some 200,000 members in Britain alone. But because that success depended upon such patterned writing, she was also accused by librarians, teachers, and academics of relentlessly dulling the imaginations of her young readers, and of unjustly encouraging those who were reading her from abroad to make identifications that race, geography, history, and politics preemptively denied them. This certainly seems to have been the case for the Nigerian novelist Chimamanda Ngozi Adichie; in a 2006 interview with The Times, she explained that her development as a writer was stunted by her early reading: “When I started to write, I was writing Enid Blyton stories, even though I had never been to England. I didn’t think it was possible for people like me to be in books.” Similar notions affect the eponymous protagonists of Jamaica Kincaid’s novels Lucy and Annie John, who both declare they wish they were named Enid, after their favorite author. For both the young Adichie’s and Kincaid’s characters, mimicry and the desire for renaming aren’t simple expressions of literary admiration; they’re also rejections of the children’s African and Caribbean worlds, which have been diminished by their very immersion in Blyton’s books. The Blyton reading experience likewise impacts a colonial child’s maturation in Rohinton Mistry’s novel Family Matters, in which an intelligent Indian boy grows up reading her books and from this develops a dismissive attitude towards the foods and places and names that figure in his Bombay life. When self-loathing and alienation begin to build, he stops reading her; later, noticing her books on his shelves, he admits, “I can’t bear to even open them. I wonder what it was that so fascinated me. They seem like a waste of time now.”

More here.

Posted by Azra Raza at 06:10 AM | Permalink | Comments (1)

Moderate coffee consumption offers protection against heart failure

From PhysOrg:

CofWhile current American Heart Association heart failure prevention guidelines warn against habitual coffee consumption, some studies propose a protective benefit, and still others find no association at all. Amidst this conflicting information, research from Beth Israel Deaconess Medical Center attempts to shift the conversation from a definitive yes or no, to a question of how much. "Our results did show a possible benefit, but like with so many other things we consume, it really depends on how much coffee you drink," says lead author Elizabeth Mostofsky, MPH, ScD, a post-doctoral fellow in the cardiovascular epidemiological unit at BIDMC. "And compared with no consumption, the strongest protection we observed was at about four European, or two eight-ounce American, servings of coffee per day." The study published June 26 online in the Journal Circulation: Heart Failure, found that these moderate coffee drinkers were at 11 percent lower risk of heart failure.

Data was analyzed from five previous studies – four conducted in Sweden, one in Finland – that examined the association between coffee consumption and heart failure. The self-reported data came from 140,220 participants and involved 6,522 heart failure events. In a summary of the published literature, the authors found a "statistically significant J-shaped relationship" between habitual coffee consumption and heart failure, where protective benefits begin to increase with consumption maxing out at two eight-ounce American servings a day. Protection slowly decreases the more coffee is consumed until at five cups, there is no benefit and at more than five cups a day, there may be potential for harm.

More here.

Posted by Azra Raza at 06:01 AM | Permalink | Comments (0)

Why I wish the Obamas would stop inviting me to dinner

Walter Kirn in The New Republic:

ScreenHunter_01 Jun. 27 11.19The problem with these small-stakes lotteries that are currently clogging up our inboxes isn’t that they cheapen politics (it is what it is, especially lately) but that they reveal, in a depressing way that makes the whole enterprise seem almost futile, just how insanely expensive it has become. They offer as prizes places at power’s table that simply aren’t available to anyone but the odds-beating elect. They ritualize a sense of mass despair at ever achieving influence in normal ways, from getting somewhat but not filthy rich (R) to getting organized (D). Whatever they generate by way of cash or names and addresses for campaign mailing lists is canceled out by the cynicism they spread (or partake of and embody).

At a time when political idealism is hard to come by at any price, suckerball is an extremely dangerous game. It doesn’t help that the hucksters who promote it, the Ed McMahons of this particular sweepstakes, are tied to the candidates by blood and marriage. Tagg Romney sent me a note the other morning that opened with an encomium to fatherhood, the holiest of conservative institutions next to the debt and equity markets themselves (“Dad taught us a lot of lessons, including the importance of having fun as a family, but the most important lesson he imparted to us was the joy in helping others”), and closed with an invitation to wager five bucks on a chance to rub shoulders with his “Papa,” a famously tight-fisted, high-stakes gambler who’d never take such lousy odds himself, not even if tickets were a penny a pop. The deal stirred doubts in me about Tagg’s upbringing as well as contempt for his estimation of mine.

More here.

Posted by S. Abbas Raza at 05:20 AM | Permalink | Comments (1)


Tuesday, June 26, 2012


The Trouble with the Turing Test

Mark Halpern in The New Atlantis:

Alan_Turing_491x491In the October 1950 issue of the British quarterly Mind, Alan Turing published a 28-page paper titled “Computing Machinery and Intelligence.” It was recognized almost instantly as a landmark. In 1956, less than six years after its publication in a small periodical read almost exclusively by academic philosophers, it was reprinted in The World of Mathematics, an anthology of writings on the classic problems and themes of mathematics and logic, most of them written by the greatest mathematicians and logicians of all time. (In an act that presaged much of the confusion that followed regarding what Turing really said, James Newman, editor of the anthology, silently re-titled the paper “Can a Machine Think?”) Since then, it has become one of the most reprinted, cited, quoted, misquoted, paraphrased, alluded to, and generally referenced philosophical papers ever published. It has influenced a wide range of intellectual disciplines—artificial intelligence (AI), robotics, epistemology, philosophy of mind—and helped shape public understanding, such as it is, of the limits and possibilities of non-human, man-made, artificial “intelligence.”

Turing’s paper claimed that suitably programmed digital computers would be generally accepted asthinking by around the year 2000, achieving that status by successfully responding to human questions in a human-like way. In preparing his readers to accept this idea, he explained what a digital computer is, presenting it as a special case of the “discrete state machine”; he offered a capsule explanation of what “programming” such a machine means; and he refuted—at least to his own satisfaction—nine arguments against his thesis that such a machine could be said to think. (All this groundwork was needed in 1950, when few people had even heard of computers.) But these sections of his paper are not what has made it so historically significant. The part that has seized our imagination, to the point where thousands who have never seen the paper nevertheless clearly remember it, is Turing’s proposed test for determining whether a computer is thinking—an experiment he calls the Imitation Game, but which is now known as the Turing Test.

More here.

Posted by S. Abbas Raza at 10:40 AM | Permalink | Comments (0)

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