hanif kureishi

One of the most revealing insights into Britain’s recent social history comes early in “My Son the Fanatic,” Hanif Kureishi’s tender and darkly prescient 1997 film. It’s morning in an unnamed city in northern England, and Parvez, a secular Pakistani immigrant taxi driver brilliantly portrayed by Om Puri, watches Farid, his increasingly devout college-age son, sell his electric guitar. “Where is that going?” Parvez asks Farid as the buyer drives off. “You used to love making a terrible noise with these instruments!” Farid, played by Akbar Kurtha, looks at his father with irritation. “You always said there were more important things than ‘Stairway to Heaven,’ ” he says impatiently in his thick northern English accent. “You couldn’t have been more right.”

This seemingly casual exchange cuts to the heart of almost everything that has animated Kureishi in nearly three decades as a playwright, screenwriter, novelist and essayist. This is, after all, the man who co-edited “The Faber Book of Pop” and whose films and novels — including “My Beautiful Laundrette” and “The Buddha of Suburbia” — are filled with raucous sex, drugs and rock ’n’ roll. But this is also the man who had the presence of mind to poke around in English mosques in the late ’80s and early ’90s, sensing that something might be stirring there, as indeed it was.

more form the NYT Magazine here.