April 14, 2007
Saturday Qawwali Special
After a conversation with my friend Husain Naqvi earlier tonight (at whose valima in Karachi I enjoyed one of the best live qawwalis of my life--and who touchingly actually shed tears in my presence upon learning of Nusrat's death!), I thought it would be a good thing to present here at 3QD what are probably the three most famous qawwali singers of all time for the nostalgic enjoyment of those of us who are dedicated to this beautiful genre of music (we listened to it on weekends, especially, in Pakistan), and also, of course, as an introduction to the form for the rest of you.
This first qawwali by master singer Nusrat Fateh Ali Khan (the young boy who often matches Nusrat note-for-note here, but in a much higher key, is his brother Farrukh's talented son Rahat Fateh Ali Khan) is dedicated to my friend Marko Ahtisaari who is a huge Nusrat fan, and himself, among so many other things, a supremely accomplished musician:
This second qawwali by Aziz Mian is dedicated to my dear friend Shabbir Kazmi, a New York City architect, and a great fan, like me, of Aziz Mian:
And last, but by no means least, the third qawwali is dedicated to my brother, Javed, who turned me on to, and shared his love of, the Sabri Brothers (and so much else!) when I lived with him in Kamra, Pakistan, so many eons ago:
Oh, and if you want some extra-credit, here is a bonus longish Nusrat video containing a couple of songs (the part between songs where Nusrat, Farrukh, Rahat, Nusrat's fivish-year-old daughter, and even an unidentified infant, simply sing "aaaaeeaaaeeaaaaaa..." is really what you need to understand if you are going to get this music!), courtesy, once again, of Husain Naqvi. Notice the incredible grace and authority of Nusrat's physical movements, especially his hands. Notice also the uncanny, inexplicable and really ultimately ineffable warmth of Nusrat's voice. And once again, there is video here of Nusrat's nephew Rahat (who's father, Nusrat's brother Farrukh, can almost always be seen sitting just next to Nusrat's left hand, playing the harmonium and backing him up vocally) who succeeded Nusrat in leading the troop after Nusrat's far too-early death. (I stood and sadly swayed next to Philip Glass at the last Rahat concert I went to in Manhattan.)
Posted by Abbas Raza at 01:54 AM | Permalink










Comments
Wow. Adaab. Love,
Posted by: HMN | Apr 14, 2007 2:10:34 AM
Such lovely & fun music!
Thank you for this lovable reference, too ~ To all behind 3 Quarks Daily: Keep up the great work you are doing.
Have learnt to love ghazals thus far, but qawwalis seem just as fun too.
Wishes, minerva.
Posted by: minerva | Apr 14, 2007 8:10:42 AM
What a wonderful thing to do! Thanks for sharing these videos.
We don't see so much discussion of musical forms as of literary and visual forms on 3QD -- for the obvious reason that reading about sensory experiences that cannot at the time be otherwise apprehended is more frustrating than enlightening, never more than when music is involved. So this is yet another perfect use of the Internet as a medium.
It may be that the West must begin to make a conscious effort not to "other" entire cultures whose renegades are threatening to us. An effort not to be so disastrously miscued. This could start with listening to the music, looking at the art and eating the food of these cultures -- so much easier than engaging with literature, philosophy and religion, and less productive of translation errors, too. Demonstrably, we need to learn who is and who is not The Enemy -- and Nusrat is a superb teacher.
Posted by: Elatia Harris | Apr 14, 2007 11:03:26 AM
Where are the women? Are they barred from sining this kind of music? Who are the great women qawwali singers?
Posted by: John | Apr 14, 2007 4:30:27 PM
Qawwalis has been traditionally a male art form. I would say one of the most famous female exponent is Abida Parveen.Posted by: Srijith | Apr 14, 2007 5:23:52 PM
If I may comment...the rhythm is off by about 1/3...(approximately)...
Posted by: . | Apr 14, 2007 7:50:08 PM
Adaab dear Abbas, over joyed and happy to be sharing the spirit of your friendship and Qawwali.
Good question about female Qawwals...., I remember on old Pak/India films, there was always a men's and women's team Qawwali match, and it was really cool, see this amazing clip from an old film 'Barsaat ki Raat':
http://www.youtube.com/watch?v=-hWNe9BeErU
best,
Shabbir
Posted by: Shabbir Kazmi | Apr 14, 2007 11:31:24 PM
Lovely posts - I believe - can only be further enriched by well-intentioned and heartfelt comments ~ Am enjoying the way these 'lil conversations here've been taking shape into a beautiful tete-a-tete. :)
Had also sensed the relatively dominant masculine presence on the dias, so I'd just assumed that qawwalis have been a traditional Art that were relegated mostly to male artistes...
Am wondering if it would be too far-fetched if one invites the just-as-beautiful Ghazal into the darbar at this juncture: From the little I've understood thus far, qawwalis seem to take up the more 'folkish' aspect, more than ghazals (songs sung to the beloved, in all its various ramifications, of course).
Would it then, be possible to understand the ghazal as the more 'feminine' form, perhaps? Just musing...
Thank you for this engaging museworthy journeys and
Wishes, minerva
p.s. I believe it was indeed Abida Parveenji's full-throated and deeply passionate voice that graced the videos from an earlier entry on Pakistani varsity life, here@3QuarksDaily.
Posted by: minerva | Apr 15, 2007 2:11:06 AM
Great post Abbas. Enjoyed the intensity of their passions early this morning and may be will remain on a high for the rest of the day. Great intro for those who are not familiar, though I must say quality of sound is not the best in this forum. Thanks again.
Posted by: Tasnim | Apr 15, 2007 8:40:45 AM
Thanks for a very enjoyable post Abbas.
One person who really shouldn't be left off this list is the great Munshi Raziuddin - he passed away a couple of years ago at the age of 92, singing qawwali to the very end. His sons (Farid Ayaz and Abu Muhammad, seated either side of him in the following video) are keeping his tradition alive, though they have some way to go before they match the subtlety of their father's renditions.
Hailing from the famous 'Qawwal BachoN ka Gharana' in Delhi, his repertoire of Amir Khusro was unparalleled. His cousins can still be found singing qawwali at the shrine of Nizamuddin (Amir Khurso's spiritual master) every Thursday.
Here's a little taster:
http://video.google.com/videoplay?docid=2768328468695678139
Posted by: m | Apr 15, 2007 6:04:51 PM
I was prompted to this page by a friend and listened to all the qawwalis early this morning; no doubt, I'll be reeling all day long! Soul music indeed, thanks for sharing.
Posted by: fictiondreamer | Apr 16, 2007 4:59:44 AM
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