March 26, 2007
Borat is no Ali G
by Ram Manikkalingam
Borat was disappointing – long, tedious, and repetitive. Maybe I had already seen too many clips on TV. So there was nothing new, except a faux plot to link together a series of previous episodes. There were some scenes that made me laugh, some scenes that made me gag, and some scenes that made me cringe. What is remarkable is not how bad the movie is, but how popular it became. Other bad movies have also become box office hits. But they have not been as badly filmed, as repetitive, or as crass as this. There is no doubt that Borat was a “phenomenon”.
This has nothing to do with the quality of the film, and everything to do with its politics. Borat manages to parody Muslims and “expose” Americans at the same time. He caters to both those who are anti-Islamic and anti-American. He allows them the guilty pleasure of indulging in that which is forbidden - portraying Muslims as ignorant, sexist, and anti-semitic – by portraying middle-class White Americans as ignorant, sexist, and anti-semitic. This is a potent combination, capable of drawing together a large audience in the US and Western Europe, resentful of Muslims in their midst and the global pre-ponderance of American power.
Borat takes on ordinary Americans, some who are bigoted, but most of who are not. Unlike Ali G, who takes on the powerful ones – from Newt Gingrich to Noam Chomsky - irrespective of their politics. Borat allows those who are anti-Muslim and anti-American to interpret him in ways that enable them to entertain, and thus indulge, themselves. He even permits, those who are simply anti-American to excuse his anti-Islamic parodies, as just that, and enjoy themselves. And sometimes he even permits those who are simply anti-Muslim to enjoy themselves – by hinting that this is where a multiculturalism gone awry will take the world.
About 15 years ago, I traveled through parts of China for a few weeks with my white middle-class midwestern friend from Ohio, Mark. Neither Mark, nor I spoke a word of Chinese. But we managed to get around China, from Guangzhou (on the border with Hongkong, to Xinjiang, on the border with, yes, Kazakhstan, through Xian and Chengdu. I am still astounded at the extent to which we were able to make ourselves intelligible – so as to buy food, and train tickets, find hotels and restaurants, visit museums and historic sites, and generally get around - without knowing a single word in a common language with our interlocutors. What made this possible?
The Chinese we interacted with gave us the benefit of the doubt. When we used Chinese words and got the pronunciation invariably wrong – they did not take the wrong word we had used at face value and proceed on the basis of what would have been clearly irrational statements. Rather they tried to organise their thoughts in ways that made what we said intelligible to them. Then they proceeded to help us with what we wanted. Mistakes were made, but they were always explicable in the context. And our vulnerability to locals in a foreign land was never exploited – except the one tout who took us for a ride and cost us a fortune in a restaurant. But even that was explicable in the end, and of course quite rational.
The way we get along in strange places is by depending on the interpretive charity of strangers. We expect that they will make amends for our mistakes – linguistic and/or cultural – and assist us in interpreting a different world. What is remarkable is how well this works, seldom leading to complete failure to comprehend each other in the midst of linguistic and cultural difference. It works because when we come across people with whom we struggle to communicate, they also struggle back. And the mutual struggle involves simultaneously holding two contradictory ideas about the person we are communicating with. She is just like us and she is not like us.
She is just like us, because the way she understands a person or a situation or an event or an act, is similar to the way we would. And her thoughts cohere together much like mine would, making it possible for her to make her world intelligible to me. And she is not like me, because she may have a belief or a view or a thought, that I would find weird, awkward, queer, or simply wrong. But this can be explained in ways that I understand, precisely because she is just like me, bringing her closer to me, even if neither (she nor I) revise our views leading us to agree about this (weird, awkward, queer or wrong) belief. And so we go around the world taking for granted this human facility to engage with strangers and depend on their communicative charity to successfully navigate very complex terrains of culture and society without a second thought.
Success in communicating depends on the willingness to suspend judgment during those crucial initial moments when you are not certain that you understand exactly what the other person is saying. And this is exactly what Borat exploits to pull his stunt – the human propensity to communicate in ways that make us seek to understand each other better, even if we may not ultimately agree. He does this by exaggerating exactly the kind of cultural difference – accent, gesture, walk and attitude – that would make any interlocutor assume a high likelihood of miscommunication, thus ensuring that they would give him even more latitude in making the most outrageous comments about women, Jews, Muslims and others, who may come to mind.
To me what was remarkable about the movie, were the large number of instances where people either watched in bemused or stony silence (a large fraction of the audience at the Rodeo and even at the country and western bar), or clear, if polite, discomfiture – like the guests in the wealthy Southern home. The instances where people actually went along uncritically - the homophobe in the Rodeo, the frat boys in the trailer, or the audience in the western bar – were relatively few in retrospect. After hundreds of hours of footage, the instances where Americans were sufficiently abusive towards others were reduced to such a short time – and even these cases were not unambiguous.
Borat’s conceit is that it is only ignorant, islamophobic, not to mention sexist and racist, Americans who would behave in this way upon meeting a stranger. But, this way of behaving is not just American, it is human. And it is humanly necessary, particularly if we have to ensure that we are not failing to communicate with someone who appears at first blush to be so very different from us. And it usually works because fortunately there are so few Borats in this world we inhabit together.
Posted by Ram Manikkalingam at 03:40 AM | Permalink






















Comments
Anti-Muslim? I tend to disagree, this almost borders on yet another anti-Islam conspiracy theory.
The author clearly has a certain bias which unfortunately goes unadmitted.
If Borat is anti-anything, it surely is far more "anti"-Slavic or "anti"-Eastern European. Everything from his name and appearance to his character's behavior is clearly a healthy mockery of (post-)Soviet Slavic mindset.
If you have to search for parallels in real world for the portrayed backwards mentality then choosing Islam is certainly quite revealing of your own views.
Posted by: Z-lot | Mar 26, 2007 4:36:34 AM
I agree with Z-lot. Nothing in this extreemly funny movie, as far as I remember, suggests that the Borat character is a Muslim, except maybe if the viewer knows that the majority of the population of the real Kazakhstan is Moslem. Accusing this movie of being anti Islamic is halucinatory, and Cohen turns Borat's anti-Jewish bigotry on its head by having Borat speak in Hebrew all the time with his sidekick director.
Ram is right, however, in pointing out that most of the Americans in the picture were bemused or embarassed rather than bigoted. Americans don't come off so badly at all, in spite of their not apreciating human-milk cheese!
Posted by: aguy109 | Mar 26, 2007 6:01:01 AM
I see your point about the extreme examples that the movie highlighted, but what I got from it was that these extreme people were not distinct or separate from the majority of 'good' folk that you speak of. The homophobe at the rodeo and the frat boys were only mouthpieces of prejudices that are very much alive in the rest of America. Borat used humor to effectively expose things that direct confrontation hides.
Posted by: beajerry | Mar 26, 2007 9:29:08 AM
Ram,
Thanks for this. I also had occasion to read the original screenplay that Sasha Baron Cohen was circulating to production companies a few years ago when he was looking for support to produce this film. I was immediately struck by something that viewers of the film would not know: the parenthetical shooting instructions about location, props, costumes associated with the Kazakh scenes were invariably described as "crappy." For example, the movie opens with a scene in a "crappy" town with a "crappy" truck and people wearing "crappy" clothing, etc. What concerned me at the time wasn't simply that the writer was clearly trying to manufacture a vision of the stupidity and tastelessness of monetarily (and culturally) poor Kazakhs. That's pretty obvious to viewers.
The redundancy implied something far more disturbing: SBC assumed that readers, and eventual film producers, would all know what he meant by "crappy." "Crappy" signalled SHARED knowledge about how stupid, tasteless and retrograde the Kazakhs are. The repetition of undifferentiated crappiness suggested that this vitriolic hatred was well-substantiated fact rather than the product of simple-minded racism.
Having said all of this, I don't in any way claim that I think Americans cannot be entirely idiotic in their relations with the rest of the world. But, there are two problems with the repetitive and simple-minded quality of the film's argument. First, as you point out, the extreme representation of american stupidity somehow endorses and justifies a really anti-Muslim film (remember, they are all "crappy"). Second, it allows non-American viewers to rest contented with the idea that racism of this kind is basically just an American problem.
I'm not saying we cannot make fun of americans, or that it's not truly excellent fun to laugh about the cultural rifts in an increasingly globalized world (I love Eddie Izzard, for example): but we have to be careful what kinds of dangerous and grotesque racism we allow to pass in the guise of comedy.
Thanks for your really excellent and probing piece.
Posted by: Maeve Adams | Mar 26, 2007 10:46:12 AM
I am a little surprised that none of these critiques mention the movie's most blatant discrimination: not against Muslims (I don't see where Ram gets this from), but against Roma/gypsies.
I think Kazakhs fare quite well in the film. It is only SBC - or more accurately Borat - who says terrible things about them. And we know that Borat is an idiot. Why would we take what he says seriously?
By comparison, Americans hang themselves repeatedly throughout the movie. All Borat does - with jaw-dropping guts and brilliance - is provide the rope. Personally, my sympathies for those who take the rope and willingly put it around their own necks is quite low. Borat did not invent these people's racism, xenophobia, or misogyny. He simply provided a forum for them to express it.
I think SBC is a comic genius: for being able to create these opportunities in the first place, for his guts in pulling them off (even at personal risk), and for his dead-pan split-second improvisation in quite unpredictable situations.
While I am definitely a fan, I was taken aback by the treatment of the people in Borat's village. Here the tone is quite different, and a good case can be made that it constitutes the film's only real example of discrimination and abuse. SBC has clearly taken advantage of these people, and exploited not their bigotry and racism, but their ignorance and good will. The villagers are repeatedly cast in a poor light, as backward idiots. Yet these are not wealthy Americans but Roma/gypsies: the poorest citizens in the poorest part of Europe. The joke is that Borat/SBC is making them look idiotic regardless of what they may think or do. And it seems he paid them poorly as well:
http://tinyurl.com/ymhcyr
In other words, these villagers are not even given the benefit of being provided with any sort of rope. They are taken advantage of, pure and simple. Indeed, they are not even recognized in their own identity: they are Roma, not Kazakhs. Their exploitation is doubly cruel.
By the way: while I still (though somewhat reluctantly) admire SBC, he was not the first to come up with this comic premise. Australia's Norman Gunston was doing much the same in the 1970s. There are many brilliant clips of his interviews on YouTube, including a famous one on the steps of the Australian Parliament on the dismissal of Gough Whitlam. Brilliant stuff.
http://tinyurl.com/293zhj
Posted by: Pablo Policzer | Mar 26, 2007 11:31:55 AM
Pablo,
I think you may be right in many regards. But, I think we should be careful about the idea that Borat only "provide[s] the rope." This film is a meticulously edited product of the people who made the film and their views: it isn't even a documentary; it's a mockumentary. And of course documentaries are also edited products of the views of a particular person or group of people.
For another level of mocking, check out the really brilliant "Shouts and Murmurs" piece in the _new yorker_: a "memo" from SBC's intern, "glen," on how to improve the DVD of the movie with extra footage of americans demonstrating idiocy. http://www.newyorker.com/archive/2006/12/04/061204sh_shouts
Posted by: Maeve Adams | Mar 26, 2007 11:55:47 AM
Maeve,
Yes, SBC and the producers did their best to play up Americans' idiocy. I have no doubt that, as Ram suggests, there was a lot of footage of Americans being kind and decent which ended up on the cutting room floor. But so what? The main point remains: SBC didn't invent these people's racism, bigotry, etc. He simply created an opportunity for them to express it. And although this makes the movie seem like a documentary, we know this is not "Frontline": it is a tongue-in-cheek mockumentary. It exaggerates Americans' foibles, but it doesn't invent them.
That's why, by these standards, it is the Roma, not the Americans (or even the Kazakhs), who are badly treated. Here the foibles are invented outright, in a pretty crass and exploitative manner. I was surprised this wasn't mentioned in the critiques.
Posted by: Pablo Policzer | Mar 26, 2007 12:17:00 PM
Kazakhstan seems pretty "crappy"
http://www.forum18.org/Archive.php?article_id=885
Posted by: Kapil | Mar 26, 2007 12:54:27 PM
Oh, please, get over yourself. To write so much waffle about what is clearly multi-target mockumentary is just ridiculous. In fact, in addition to bigoted westerners, racists and drunken frat-boys, Borat is also, in an ingenious indirect way, a fantastic critique of people like yourself: over-educated, verbose, self-opinionated, over-sensitive, hyper-politically-correct, self-righteous commentators.
Posted by: John Henry | Mar 26, 2007 1:21:24 PM
I think that Ram and Pablo have both done us a service in their views on Borat. While I find Borat to be hilariously funny, there is also something about him which makes me very uncomfortable. I think this is the genius of SBC, and what makes Borat so compelling. What is hilarious in borat is that people take him so easily at face value as a factual human being rather than aan outrageously drawn comedic character. This allows us in the know to be in on the "in joke", allowing us to laugh at the folly of the unaware outsiders. What makes me so uncomfortable is the blatant exploitation of cultural stereotypes for a comedic effect. At times, in unmasking peoples prejudices, Borat certainly does take advantage of the kinder side of those not aware of his comedic persona. When the people sing along to "throw the Jew down the well", are they doing so out of politeness to the bizarre stranger in their midst, or does Borat reveal a deeply rooted anti-semitism in those people? In that scene I can see some members of the audience at the club to be deeply confused and disturbed at the song, but they do not protest.Perhaps what makes us squirm is the fact that we ourselves have often tolerated bigotry out of fear for being impolite. Perhaps what also makes us squirm is the fact that even after a generation of politically correct speech monitoring, ethnic jokes still have a power to make us laugh in spite of ourselves...
Posted by: Bruce | Mar 26, 2007 2:32:52 PM
Out of fear of provoking John Henry any further (how educated, I wonder, does he imagine one has to be, to be "over-educated?"), I'll restrict myself to emotional testimony: I was made extremely uncomfortable while watching the movie, and like Ram, I cringed at most of Borat's interactions with his unwary interlocutors.
Thanks for making the source of my unease much clearer to me Ram. I completely agree with you.
Posted by: Abbas Raza | Mar 26, 2007 2:55:00 PM
Thanks for this piece, and what wonderful comments. I noticed mid-Borat I was howling with laughter at every target who disresembled me, and, turning my head to check, that everyone in the dim blue light of the theatre was doing the same. When it was not my turn to laugh, it was my turn to suffer -- the same for the others. Occasionally, one was misled -- God, the pain! There was something to offend everyone here, literally everyone in all his guises. Which is why it was so uncomfortable to be there: one wants to be the scoffer or the target, and comedy that makes one both -- over and over again, rapid-fire -- is torture.
Posted by: Elatia Harris | Mar 26, 2007 7:43:45 PM
Thanks for all the insightful comments. I learned from all of them. The main theme - I believe - is the idea that Borat exploits a fundamental affect we depend on to make human communication (particularly cross cultural ones) possible. This is interpreting what each other says in the most plausible way possible. It is entertaining to see people fall for Borat's little gig, until we see the results. In this point, I disagree with comments that suggest the Americans in the movie were simply given the rope by Borat. To push the analogy further, Borat's deception is I think that in many instances they were told that the rope was not really a hangman's rope etc. And this is how Borat is Borat. And this is how he makes Americans look much worse than they are - which is why I view the movie as anti-American.
The less important, though more obvious point raised by many is that Borat is not anti-Muslim. The point made is that nowhere, does Borat refer to, himself, or others refer to him as a Muslim. I agree. But to me the movie's popularity cannot be divorced from a world where we are told there is a clash of civilsations. And that one civilisation is going to overcome the other by eradicating bad values - sexism, anti-semitism, authoritarianism, poverty, inequality, absence of freedoms, among others. And in this particular clash of civilsations these bad values are going to be eradicated in the region where they are widespread - the Muslim middle east. Here Borat is a stand in for Muslims - and this is a subtext running through out the movie. The movie works only because we have been provided the backdrop of the clash of civilisations by OBL and GWB. And I am not sure how Borat can be extricated from this.
Finally, I hesitated to write this article because I did not want to come across as humourless and PC. Terrible labels indeed. I had hoped that the main point of my article - the defence of Americans - would protect me from that label. But oddly, no one has accused me of being pro-American - which was how I felt when I saw the movie as an unfair caricature of the can do/naive open-ness of Americans that can be a real force for good in the world, but at times also a force for bad.
Ram
Posted by: Ram Manikkalingam | Mar 28, 2007 3:26:15 AM
Ram- Having met you on a number of occasions no one could accuse you of being humourless and PC! However, perhaps you do need to look more deeply into the nature of humour to grasp the genius of Borat. But first lets talk abour sex... We have all of us found ourselves sexually attracted to people whose personality we dislike and whose views we disapprove of. This is involuntary and happens because of a raw sexual response which we find in contrast to our usually held values and personal preferences. Humour often works in the same way in that we often find ourselves laughing at things which we really shouldn't be laughing at in the same kind of involuntary way. Borat taps brilliantly into this discomfort, and it is this tension which is at the root of humour. Indeed, humour does not exist without tension, which is why Borat's political satire can be so devastatingly funny. Without the social discomfort, Borat would not be interesting at all, nor would he be funny. Furthermore, humour is a question of timing: both comedic timing and political timing. SBC has both mastered in that he has the gift of being naturally funny, but he also taps into the backdrop of several timely issues which are deep political concerns of our day: the crumbling of the Iron Curtain and the creation of a number of "Stans" with which we have no familiarity in the West, questions of political correctness and cultural sensitivity, and the so-called clash of civilizations. SBC has not turned away from these issues but has created a wonderful fictional character who is clearly believable to those who are being tricked because of the backdrop of these political issues... The other aspect of humour is that it almost always is at the expense of someone...
Posted by: Bruce | Mar 28, 2007 6:20:40 PM
Bruce said: "humour is a question of timing: both comedic timing and political timing."
Precisely. That's what made Borat the movie (and the pre-9/11 sketches...Borat was around long before OBL and GWB ever entered our popular psyche) SO FUCKING HILARIOIUS. But this is hardly new, right? (cf. Carter-era Kaufman's "foregin man").
Posted by: Chandan | Mar 28, 2007 6:44:29 PM
I agree with Bruce Wilkins, who has helped identified what I have missed in my critique. And I have to confess to being a fan of SBC who is undoubtedly a genius, whatever my views of Borat the movie.
Posted by: Ram Manikkalingam | Mar 29, 2007 5:42:41 AM
Read the NYT review of Borat, or, rather, the comments thereto, and you will see who the real target was: white, red-state, working-class males, the last unprotected minority in America.
The only bigots in the film are Sasha Cohen himself and all those blue-state liberals who "just loved" the film. Shame on them, and pity the Democratic party until it can shake this last hate group in America.
Posted by: Luke Lea | Apr 1, 2007 11:16:49 AM
Ram--I found your piece very illuminating, for which I thank you. I couldn't even sit through the entire film, partly because that particular brand of humor isn't my cup of tea, and partly because it really made me uncomfortable too. I'm sad to see that you almost didn't write your piece because you didn't want to seem PC and humorless. People like John Henry (or Dinesh D'Souza in "Illiberal Education") have latched onto this idea of a PC liberal elite ("over-educated", "hyper-sensitive") and lump together with this group anyone who expresses any sort of sensitivity to any political group or issue. (In reality, the PC threat to speech was never the giant issue such people made it out to be, but the well-meaning, if misled and naive, attempts at expressing some meritorious points about social and political norms by a small segment of early-90's college campus-activists who supported speech restrictions). Ultimately the John Henry-types try to do to intelligent, thoughtful people what they imagine/pretend these crazed PC warriors are still doing to them: silence our speech (as they imagine they are being silenced). That was terribly convoluted, but I hope you get that I'm glad you wrote your piece.
Posted by: Akbi | May 12, 2007 8:57:20 PM
Post a comment